lifeworld presents the intergalactic techfunk from the minds of glasgows solab. known for their killer releases on 7th sign and various other labels, you know you re in for something good! distant galaxy is a deep and mesmerizing track. killer beats accompanied by a great grooving bassline provide for a tight back bone. topped by erie synth strings and spaced out effects, this track is a real burner. on the flip we have the killer track new life. this track is simply gorgeous. just check the exquisite multi layered sounds and killer percussion. sleazy and slow paced grooves. this is sssoooo good! last but not least solab take things into much housier territory. wide awake is a static paced dancefloor nugget with a deep bassline and atmospheric soundscapes. the filtered synth sound running through out the whole track gives this track a true house feeling. this just cant go wrong!

here it is the first official ost on permanent vacation: gutterballs. gutterballs, by ryan nicholson, is a groovy, sleazy and pretty dang gory grindhouse revival slasher in the vein of the great 80 s horrorfilms. the film takes place during a midnight disco bowl-a-rama at a popular bowling alley, which leads directly to the great soundtrack by gianni rossi, who composed a mix between classic, goblin-esque, synthie flavoured, horror-movie soundscapes and uplifting italo pop/rock.

good fun horror themed disco lp from germany. featuring members of the boney m family this rare lp first hit our shores in 1977, and has become synonymous with the horror disco lps from the likes of simonettis goblin. containing 7 tracks ranging from even vampires... and dracula goes dreamy which are slower instrumentals, to the more upbeat terror on the dance floor which features bizarre crowd noises and sleazy overtones. the major track on the record, soul dracula has every cliché one would expect from a dracula track: maniacal laughing drrrracu la, catchy background gimmicks that drill themselves into your head and sleazy overtones. this track recently found its way onto quiet villages fragments of fear mix cd!

the follow-up to last years deep in need, the haunting me ep brings three new soulful and sleazy tracks from dirty bee. since house has been a buzzword for the last year or two, old-timer dirty bee shows the kids that its possible to give a shout-out to the old school, while still finding plenty of room for innovation. the title track, featuring bees friend luther on vocal duties, brings a paranoid vibe that crescendos with fluttering chimes and a baltimore breakdown. on the flipside, things get a bit filthy with out of body: pounding bass with conga accents keep the tempo, while a drunken, off-kilter saxophone solo tries to find its way home. finally, the snarling, electrified bounce of work for me closes out the ep. spread the house gospel!

4 fresh housetunes straight outta cambridge, brought to you by headtunes recordings.

olmeto’s first release of 2009 takes the flamenco bull by the horns and drops a track of such spanish influence, you’ll think you’re at las ventas! señor bushwackas ‘dromederie’ neatly entangles beautifully mournful spanish guitars, passionate feet stomping flamenco dancers with modern glitches to create a seriously ferocious tune with an underlying feeling of treachery. the percussive elements embroiled in the final three minutes (specially edited as a dj tool for the creative amongst you) are so unique, the reaction evoked on any primed and ready dancefloor has to be seen to be believed…it’s a tune you’re not going to forget in a hurry! side two, ‘the blues’ takes an altogether slower, more winding approach but is sure to draw you in from the off. whilst we are reminded ‘this is the blues’, rising melodies and catchy loops reminiscent of grooving disco transport you to a sleazy den of dance iniquity. marking the twentieth release on layo & bushwacka’s olmeto imprint, ‘dromederie’ & ‘the blues’ are a stunning representation of the forward thinking dance music this label has to offer. not to be ignored.

special reissue of the 1982 sugarscoop records release of plastic bertrands - stop ou encore. this extremely-rare slice of sleazy electronic disco was huge both on the cosmic scene and in chicago where it was championed by the legendary dj ron hardy !!

your know you are doing something right when greg wilson comes knocking at your door for some disco edit action. such is the life now for croation nu disco gem ilija rudmen. after a series of releases on labels rong, infant and deep freeze, bearfunk were quick to grab dance disorder and wasted no time in asking their studio neighbours faze action to step up. their synth bass, low slung and sleazy remix, with a dose of their trademark strings hits the spot. this sits snuggly with ilijas original which mixes in real bass and guitar with his analog heavy funk laden grooves.

great second release on the exciting par tay imprint brings together another collection of top notch dancefloor friendly re edits. kicking off with low down dirty, which sees this patrick cowley production rearranged and stretched out into a awesome low slung sleazy disco groover. next up is thank you for funkin me, a super funky par tay cut and finally a superb extended edit of black bloods 1975 afro disco obscurity a.i.e. a mwana, an awesome track sung in swahili, and later covered by english pop act bananarama. essential!!!

the soon to be massive den haan are releasing their first 12 with dissident. this one contains 2 killer tunes, the sleazy hi -nrg ode to the worlds oldest profession and the italo-esque instrumental theme, night shift has been road tested by optimo for a few months now and absolutely smashes it every time and if anything theme is even better and more versatile. this is a 12 that will stay in a wide range of djs boxes for ages will be one of those that flies out fast so get your orders in quick, as you know, there will be no re-press.

made to play brings the noise with the sounds of wearhouse music and head honcho lee mortimer. lee mortimers exciting, sleazy, demented take on house has been kicking the sh*t out of dance floors and festivals the world over. this e.p is not for the faint hearted but is for those who like to rock a big crowd in a ballistic way. when jimi hendrix played not just one but both sides of it at woodstock in the 70s the place went off its tits and when he reverted back to playing the guitar it just couldnt compare and he never quite got over that. lee mortimer is currently reveling in mass support from the likes of switch, claude vonstroke, diplo and kriss akabusi who apparently likes to play these tracks as a post love ritual, naked and chanting awooga! round the camp fire he has in his bedroom. if you want to embellish the feeling of either hendrix or akabusi in the primes of their existences then get stuck into this release and youll feel like a combination of the two peaking on acid.

here you have a little history of house music in one package. i ve lost control (an ode to the sleazy b / marshall jefferson trax records release) is played by ame, radio slave, phonique, shinedoe, d julz, alex smoke and more.

the vocal sample comes from an artist you wouldnt expect, namely from one of the songs of american singer marilyn manson! because of the vocal sample, punchy beats and throbbing bassline and catchy hook we know this will be one of the ibiza tracks of this summer!on the remix duties we have non less then sleazy techhouse master ren? amesz!

funky, feelgood - hip shaking little house track!! this catchy chorus will get them all...

funky, feelgood - hip shaking little house track!! this catchy chorus will get them all...

cool disco 3 tracker from top shelf done by phoreski (bare fist, fat fuk). the slow barelow has a sorta sleazy italo disco feel while on the flip elotric is a more uptempo frantic disco cut and monk fonk is a slow and steady bass heavy acid tinged groover. must have for idjut boys fans

rick wade - one of detroits inner house music circle together with moodyman and theo parrish - revives his legendary harmony park imprint and rest assured: it has lost none of its magic. after embracing the listener with a nice, thumping rhodes jazz cut for a start, he gets right down with sleazy, uncut disco funk before flipping back to melancholic, bluesy piano chords and string layers on the flip. 4 equally great tracks make this an essential purchase for all lovers of kdj and sound signature!

easy action is the main theme from the japanese animation movie called >vexille<. his limited picture disc from boom boom satellites comes with a london electricity (hospital, uk) and a coburn remix

stompin edits of a classic house cuts

supportet by fred everything, prins thomas, funk d void, neil quigley, dj shade, scope, shane johnson, laurent garnier and many more.. whether you re a house head, disco head, or tech head, this release will move your dancefloor and make you smile. the original club mix is a sophisticated slice of electronic disco, with a big vocal singing some heavily sleazy words. for the tech-heads, two underground dubs provide the dirt. the dubfuck mix is an adrenaline-fuelled underground smasher - big with prins thomas, funk d’void and laurent garnier. the love on dub takes a smoother approach, following the same path as the original mix, but with the vocals cut away so that the music takes centre stage.

this is the second release on erol alkan and dan staceys phantasy sound label, after the debut release - la priests >engine<. this limited 12inch is debut single from primary 1 aka joe flory, who makes the kind of sleazy electronic pop that will have pharrell looking over his shoulder. crammed full of punchy guitar riffs, heavy kick drums and with distinctive falsetto vocals - this is 21st century disco for the ipod generation, a fresh and unique take on a classic sound, also includes remixes from future french talent in the shape of yuksek and the shoes, yukseks effort is aimed squarely at the dancefloor jugular, whereas the shoes have gone for a more understated punk funk approach - all cowbells and throwback synths, plus a handy yuksek dub is included for those of you who prefer less vocals

felix dickinson and toby tobias team up to great effect under the name of the mythical beasts on the newie from hector works. low slung funk bass and disco claps and synths make the original a sleazy discoid workout par excellence and as if that wasnt enough both q burns abstract message and nick chacona & anthony mansfield are on the mixes too. q burns mix is nothing to write home about in truth but chacona and chum do good things on their take, upping the tempo and aiming it squarely at the floor. hot!

similar to naughty filthy mouthed teenagers – >homecoming< off the new single, is full of foul innuendoes and lyrics that would make serge gainsbourg blush. with its nonchalant and biting humour, >homecoming< is a 21st century >summer loving< set to a sleazy lo fi french pop backround , a wash with guitar hooks and soaring electro synth riffs. now released on kitsuné , the label that helped launch the careers of klaxons and crystal castles, the teenagers homecoming is set to be huge in clubs too. thanks to the monster it became under guns n bombs remix work : already a club hit from both sides of the atlantic. the parisian vibe is added by the young producers gentlemen drivers and nyc is bringing its filthy prog house vibe through passions synths

its time to release the first frozen north various artists single feat the very best of finnish newcomers varying from deep house to techno via minimal the quality of music is amazing

pleasure me is typical of ramirez productions, once again hes creating dance floor mayhem, with the trademark phat dirty bass, building tension to a frenzied breakdown & sleazy vocals, this is sure to be championed all over this summer. on the flip the guys at slave have installed fellow sheffield producer leiam sullivan (four:twenty & dogmatik) he turns the original into an underground deep, brooding, rolling techno record, undeniably one for the heads.

prototype chicago jack beats with solid basslines, dark haunting strings and hypnotic vocals played live in the studio by villan x (aka traxx) and 2amfm. limited to 500 copies worldwide and garantueed no repress or digital downloads! reminiscent to early trax releases by sleazy d., adonis, farley

its all about easy on the ear hip hop ethics standing toe to toe with the freshest house beats as defected are set to release this dancefloor bomb complete with some stunning new remixes. already championed by a selected few, ame get dark and sleazy with mr.v spitting a whole set of new rhymes. its all about the huge ame dub mix though included on the flip alongside a maw remix

bryan jones returns to his own ringside imprint in good form. with him are newcomers j lettow and william alexander from lingo recordings fame. kicking off is make you move a pure funk bomb, complete with stellar piano and horn loops and those trademarked bryan jones drums that never fail. next up is vibe like tonight is the pick of the platter. building up with a tough as nails disco loop that drops into a delicious groove half way through. flip for hold tight a sinfully sleazy hip house jam already receiving massive support from the usual suspects. last is rub on the fat booty, another rap sample fiasco with a bumpy bassline, vocal bits and a very twisted vibe

incl. mixes by jori hulkkonen & crystal bois !! sleazy rave meets killer edit style. for all fans of scandinavian dance music mutants

handclapping funky house with bubbling electro lines and big bassline. comes with a sleazy more electroid remix from coco machette s carlton banks

serious funk going on here! a well balanced mix of new comers and established artists gettin together to throw down some funk blacksoul teams up with newcomer musical globe for a slice of disco heaven that is all about a wicked break. sleazy mcqueen drops a funk bomb on us, chopping up the samples just right and then killin it with that ol school rap. fabio bacchini is channeling chicago via italy and works a classic sample to death on freakin jazz. tom collins is back and with a vengeance with a classic spettro mixed track with a quirky spoken word over the top for good measure

we were dreaming about rimini and italo boot mixes, when we met this mad professor of italectro in a sleazy berlin neukölln pizza spot. he saved our day with a pearl of a dancefloor sunset. italectro - that´s a smart thing to say and that´s what we wanted. a funky italian 12inch. then tetsuo came and deliverd a nu wave prada dressed remix and added a heartbreak story. so at last frank martiniq was the boxer we needed to punch this track to a cologne style brutzel disco stomp that takes us back to reality

love is is a great mix of early 80s dance rock and synth vibes also gives this track a sunny balearic vibe perfect for summer workin is a sleazy sweaty cruisin kind of affair with lyrics that consist of workin/slavin away insane arpeggiated keyboard business and an out of control piano solo

electronic house and tech house with a slice of tribal a sides original mix is a gritty sleazy knockout aimed at the hottest progressive floors out there especially as the minimal but wickedly effective bit of depeche y vocal slides in flips nocando remix goes deeper at first with a filthy minimalist electro bender that warms up a bit slowly before catching fire at the break big one

another sureplayer (record of the week in recent dj magazine). the boogie drama mix is thrillingly intense with a bumpty dark and open produced electro vocoder sound aestetic you can just not get enough of. dazzling, irritating,forward thinking cool future clubmusic. there was a time when such good music was coming from america, people named danny tenaglia or pierre for example where able to do it.now listen to what they are and do these days and how 20 somethings from milano italy are taking over where they stopped in 95. stunning. sasse s mix again doe not dispappoint at all again. hes fast becoming one of europe s hottest house produers, someone who has the ability to effortlessly craft authentic italo and sleazy wild pitched acid house. top!

philly s prodigal son and wamdue kid, drops his first ep for urbantorque. >chris is part of the tigerhook crew, and ive always been a fan of his unique style - always something different and fresh sounding. this track has really crisp sleazy percussion, a sick funky acid bassline, and some twisted female vox. its a real dirty techy trip that will fire up the floor..< dj support so far: desyn masiello, danny howells, nic fanciulli, laurent garnier, james holden david duriez, josh wink

delightful winter night party tunes .. exiting, laced with dry, dirty electronic bass driven tech grooves mixed with bubblegum sleazy vocals while always groovy in the lower frequencies, dapayk will surely take over the dancefloors !!

chris carrier and dj wild aka catwash add to crack & speed the second vital attribute of youth rebellion trinity - sex - and swap rock n roll for heavy funkin tech-house ( nevertheless rockin though ): on come to me dj wild looms large his sugar daddy impression spurting out some real sleazy perverted lyrics over a perfectly paced romp-shaking beat and a fat penetrating bassline that gives birth to a drilling acidline escalating slowly to climax in classic wild pitch style. the flip seems to be dedicated to a less frivolous physical exercise...

coming stateside with this very freakish/dlc-styled track, a perfect pairing for select imprint. the original i dont laa features a rubbery euro/german bassline with some diz-like vocals and cut-up clicky electronic drums - sleazy, greasy stuff thatll appeal to a nice range of electro-house djs. remixes come fromthe midas alums honest cars who turn in a gritty, rock-flavored electro-pop that could fit nicely in with the angrosso/prydz fans, and freak-meister himself luke solomon who completely flips the vocal over a buzzing and burbling acid backing track. mental gear for only the most twisted dancefloor sessions here

bearback is back , this time bigger and better than ever ! not only do they bring the sexy , sleazy funk from the stars on down — this time they even hit it off with a little forward thinking soul on the inside cuts ! some could say that these guys could very well be the most ironic producers in the minimal scene

big underground record, featuring smokin jo sleazy vocal laid over a dirty minimal electronic track with a twisted bassline, incl hughes & spier rmx, hooked rmx and original!!

hard phunk 135bpm club techno alter ego style by pogals & sleazy & nasty bassline driven techno by andreas krämer!

excellent minimal micro / clicker 3 track ep

a sleazy vocal electro track with infectious lyrics that creatures of the night can all relate to… support coming from de:bug magazine!!(5 points), bpm, felix da housecat, traxx, tim xavier & woody mcbride amongst others…huge

after smasher 'micky mouse motherfucker / tiefschwarz rmx' the canadian in berlin mocky turns in more heat with this teaser from his upcoming album. feat. vocals of the madman with soul jamie lidell this is mocky' s definition of pop 2004: sleazy hip-hop/funk as innovative and catchy as any n.e.r.d. stuff

hibernation volume 1 is the first of a new series of compilations. these unmixed cds will feature greatest hits of the previous months, future smashes and some exclusives unavailable elsewhere. a fine bear-tinted slice of whats at the cutting edge of todays disco spectrum